In the film „Mambo“ Flavien Demarigny, a French street artist introduces the spectator to Paris as his working environment. Demarigny alias Mambo uses graffiti as a means of expression in order to offer the city an individually artistic statement. Ever since he started to collaborate with the artist‘s collective „9ème Concept“ he developed new means of expression in traditional street art. The former renegade had turned into a very diverse and successful artist. Although, however, his work is exhibited and published widely he still is attracted to the city itself as the largest available museum for his work.